Tips for Retouching Skin in Photoshop That You Need to Know
Zoom in on the photo and find an area of skin without wrinkles or blemishes that closely matches the color of the skin in an area to be altered. Hold down the Alt key and left click to select the area. Let go of the Alt key to save the selection. Move the cursor to an area you wish to correct. Michelle H. has this great Photoshop tutorial on how to retouch skin. See exactly how to perform some simple skin retouching in Photoshop. Sometimes it's a necessity to change your photos because of some bad acne perhaps. This is very detailed. Great for Photoshop herelovstory.com: Wonderhowto.
Blog Leave a comment. Though erasing the effects of time in real life can require expensive treatments or even surgery, you will only need some knowledge and effort to retouch photos digitally. The Healing Brush in Photoshop CS3 can be used to rwtouch those inevitable signs of aging such as wrinkles and blemishes better than makeup in photos. Open Photoshop, and then open the photo you want to retouch.
Always make sure that the image you choose is one you own, have permission to skjn, or is available in the public domain. In order to avoid saving mistakes on the original, you may decide to save a copy and then close the original photo, or create a duplicate layer on the original by clicking on Layer and then clicking on Duplicate Layer. In the fly out menu, click on the Healing Brush icon.
Adjust the brush size so that a small area of the photo will be used, set the Mode to Normal and the Source as Sampled. The other settings can be left as their defaults. Zoom in on the photo and find an area of skin without wrinkles or blemishes that closely matches the color of the skin in an area to be altered. Hold down the Alt key and left click to select the area. Let go of what songs are in the top 10 Alt key to save the selection.
Rftouch how to retouch skin in photoshop cs3 cursor to an area you wish to correct. Left click and drag the cursor over the how to get a handicap placard in ma or blemished skin.
While you are using the Healing Brush the area will be darkened, but will return to the correct color when you stop. Check the result and continue or undo if necessary. While learning this technique, it is easy to sample too large an area or try to use a selection that is too light or dark. The main point to remember when using the Healing Brush to erase aging or blemishes is to keep your manipulations natural looking. Maintain the skin tones as closely as possible and do not remove too many wrinkles; otherwise the end effect will look like a caricature of the original photo.
Retouching photos using the Healing Brush tool retoufh Photoshop CS3 can take years off your real age, or remove unexpected skin blemishes from important photos. Experiment with different settings such as Screen Mode instead of Normal to simply minimize aspects rather than removing them completely.
You may have to look your age in real life, but your pictures can reflect a more youthful appearance. Your email address will not be published. Save my name, email, and website in this browser for how to retouch skin in photoshop cs3 next time I comment.
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About the Clone Source panel
Feb 16, · 1. Keep the brush flow at 1%. Like all skin retouching techniques, subtlety is the key, and with the brushes flow at 1%, you can slowly build up any alterations that you are making. When dodging and burning on a grey layer, set the flow of your brush to 1%. Retouch with the Clone Stamp tool The Clone Stamp tool paints one part of an image over another part of the same image or over another part of any open document that has the same color mode. You can also paint part of one layer over another layer. The Clone Stamp tool is useful for duplicating objects or removing a defect in an image. Sep 06, · Download PSD file: herelovstory.com this photoshop retouching tutorial.
When it comes to retouching skin in Photoshop, there are a lot of tools and techniques available to you. Some of these are fairly easy and self-explanatory, like the Healing Brush. Others, like frequency separation, are complicated multi-step processes. They involve such obscure features of Photoshop that you would never be able to figure it out on your own. Many of the skin retouching techniques are useful and work well when used together with one another. This article will provide you a set of tips to get the most out of some of the most common and most useful read: my opinion of these techniques.
It assumes you have a basic understanding of how to use them. The Healing Brush is probably going to be the first thing you reach for when you are retouching skin in Photoshop. When working with the healing brush, be sure to work on a new blank layer. That way, you can be sure that you are not altering your original image. This also allows you to make changes later.
Working on a blank layer will ensure you can undo any changes you make should you decide to later. Try to keep the brush just big enough to cover only the blemish that you are trying to remove. For the best results, use a brush size that is just bigger than the blemish you are trying to remove. Do it between every blemish if you can. Your images will be better for it too. To make sure that you are only trying to heal blemishes, and not the area of skin around them, zoom in as far as you need to.
Do this with every skin retouching technique listed here. Zooming in allows you to be more precise with your adjustments and leads to more natural-looking results. When you are very zoomed in on your subject, you can get lost in all of the details that you can now see.
This can save you hours. Instead of painting with the Healing Brush, just press once or click with a mouse over the blemish you are trying to remove. This will limit the alterations to the surrounding skin. Painting with the healing brush leads to weird artifacts. To avoid these, simply click on the blemish you want to remove and nothing more. The patch tool is a powerful utility that allows you to select an area that you want to retouch with a lasso and then drag that over to a sample area that you want to use to fill that first area in.
It will also make it easy to delete the layer and start from scratch if need be. Instead, duplicate your background layer and work on the copy. In terms of skin, the Content-Aware Patch Tool never seems to perform very well. Instead, leave the mode set to normal and use the Patch Tool that way. For things like backgrounds, by all means, use content-aware; just avoid it for skin retouching.
Content-aware fill, as it works with the Patch Tool, is great for many things, but skin is not one of them. Although this was sampled from a very similar part of his face, content-aware has made a mess of it. Keeping your selections small allows you more control over the end result and will result in fewer problems down the line.
This will reduce the chances of creating problematic artifacts and blur. Here, you can see the various areas of similar tonality circled in red.
When using the Patch Tool, try to sample from similar areas of tonality. This can help to hide a heavy handed approach and help to give more natural looking results. This tip applies to pretty much every other skin retouching technique as well. When you are retouching skin in Photoshop, the clone stamp tool will probably be one of your least used tools. The one notable exception is when you are using frequency separation covered below. This may be a preference, but the Clone Stamp is a heavy-handed tool that makes drastic changes with a single click.
By using a soft-edged brush, you will reduce the impact of the area of skin around the blemish you are removing. This may be preference, but for the most part, you will want to use the softest brush possible when using the Clone Stamp. The Clone Stamp is a very aggressive tool that can affect skin patterns in an undesirable way if used without care. As with the Healing Brush, do your best not to paint an area of skin with the Clone Stamp.
Try to keep the affected area limited to an individual blemish, pore or other marks. Even though the sampled area was identical in tone, you can see the results of painting with the clone stamp tool in one large stroke.
The problems this tool can create with odd aberrations in skin texture patterns are hardly worth the risk. Frequency Separation is one of those techniques that appears as overcomplicated sorcery at first glance. It is; however, very easy to go overboard with this technique and a heavy hand will result in less than ideal results. When setting up your Low-Frequency layer, use just enough blur to remove all of the skin texture in that layer.
Here, Gaussian Blur was set to 2. When applying Gaussian Blur to your Low-Frequency layer, keep the amount of blur to either equal or less than the amount that you used when setting up the layer in the first place. Only blur areas of skin that are a similar tone. Keep your selections to areas of similar tonality to avoid these muddied tones. When applying blur to sections of your Low-Frequency layer, try to make your selections in areas of similar tones. This will still help to smooth the tonal transitions without muddying them.
This can happen as you get close to hard edges within your frames, such as lips and eyes. If they do start appearing, you can reduce the amount of blur you are using, or you can make a new selection farther away from the areas causing you trouble.
For the High-Frequency layer, you just need to be careful with how you use the Clone Stamp. As above, the Clone Stamp is best used on very small areas with a single click. Probably the most powerful and versatile of the techniques listed in this article, Dodging and Burning might as well be considered an essential tool for anyone that expects to be doing a lot of skin retouching.
This will allow you to build strokes slowly for more natural results. Instead of trying to alter large aspects of your image at one time for example, lightening an entire forehead in one go , zoom in on the area you want to work on and work on areas of a similar tone.
By working with smaller areas, you will get more natural results. If you are using broad strokes and working on finer detail with dodging and burning in the same image, do both of these on separate layers.
Dedicate one to each layer. With the large brush strokes, you will likely be more concentrated on overall contrast. You will often want to use a Gaussian blur on your brush strokes to even them out too. This is not the case with fine detail where your brushstrokes should only deal with tiny, precise areas.
For very fine control over your image, use a different layer for dodging and burning all of the sections of your image. This will allow you to alter, or get rid of any changes you might change your mind about later on without undoing all of your work elsewhere.
Skin has a lot of fine detail in which the light in your scene passes over and creates contrast. Because these blemishes are often small, you want to try and use a brush that is at least as small as the area you are working to lighten and darken with dodging and burning.
You will get some of these wrong. With a time-consuming technique like this, it is easy to get lost in it and go overboard. Sometimes reducing the effect at the end is just what is needed for a more natural result.
Unless your image will never be printed and only viewed in a small resolution, zoom as far into your images as you dare while retouching skin in Photoshop this applies to all of the techniques here to achieve the absolute best results. Sure, working this way takes a lot longer and is intimidating to think about, but putting that amount of effort in will help you to achieve better results.
There are, of course, many other techniques available for retouching skin in Photoshop, but these are the ones that I use the most often. Of course, with techniques like these, there are always more ways to do things. If you have any tips of your own on retouching skin in Photoshop, please feel free to share them below.